Haibun Road : a haibun weekly challenge (wk 14)

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This week’s Basho’s Road Haibun Challenge (week 14)

Introduction

This is a haibun writing challenge using Basho’s haibun journal, “Journey to the Deep North.” A haibun is one paragraph followed by one haiku. Each week I share the next paragraph(s) and haiku from Basho’s journey using different translations (a bibliography of translated Basho at the bottom).

To participate in the writing prompt/ challenge, use any bit (word, phrase, concept) as the inspiration for your own haibun (one paragraph and a haibun). Then, add a pingback or paste your haibun link in the comments and tag your contribution “Haibun Road.” Pingbacks work for WordPress blogs but if you write your haibun on other blog platforms, Instagram, Facebook or wherever, just paste the link in the comments. I moderate everything to avoid spam so it may take a day to show.

This week’s writing prompt: Basho passes the barrier gate of Shirakawa

This translation is from Nobuyuki Yuasa’s translation in The Narrow Road to the Deep North and Other Travel Sketches.

Deutzia crenata by Kenpei, from Wikimedia Commons
After many days of solitary wandering, I came at last to the barrier-gate of Shirakawa, which marks the entrance to the northern regions. Here, for the first time, my mind was able to gain a certain balance and composure, no longer a victim to pestering anxiety, so it was with a mild sense of detachment that I thought about the ancient traveller who had passed through this gate with a burning desire to write home. This gate was counted among the three largest checking stations, and many poets had passed through it, each leaving a poem of his own making. I myself walked between trees laden with thick foliage, with the distant sound of autumn wind in my ears and the vision of autumn tints before my eyes. There were hundreds and thousands of pure white blossoms of unohana in full bloom on either side of the road, in addition to the equally white blossoms of brambles, so that the ground, at a glance, seemed to be covered with early snow. According to the accounts of Kiyosuke, the ancients are said to have passed through this gate, dressed up in their best clothes.
卯の花をかざしに関の晴着かな
unohana o
kazashi ni seki no
haregi ka na
Sora’s Haiku (Basho’s traveling companion)
Decorating my hair
With white blossoms of unohana,
I walked through the gate,
My only gala dress

Footnotes:
Unohara  is Deutzia crenata, a species of the hydrangea family native to Japan.

Other translations of the same haiku. (translator in parenthesis)

My clothes I change at the gate
springs of verbana
thrust in my cap
(Michael Marra)
Essays on Japan: Between Aesthetics and Literature
une fleur d’U au chapeau
je franchis la Barrière
comme sur mon trente-et-un
(Daniel Py)
Haicourtoujours
With deutzia flowers
we adorn our hats — formal garb
for the barrier
(Helen Craig McCullough)
Classical Japanese Prose: An Anthology
A spray of deutzia
adorned on my cap is
attire for the barrier
(Harumi TERASAWA)
AN ATTEMPTED TRANSLATION OF“OKU NO HOSOMICHI, ”CONTRASTING ENGLISH AND JAPANESE”

Haibun Challenge parameters

There is no right or wrong although there are a couple rules.

  • One paragraph followed by one haiku/senryu. It can be two paragraphs but I want to keep things simple.
  • Paragraphs can be short or long (but please don’t make one paragraph book length!)
  • Haiku/senryu should be 5/7/5 syllables or pretty close. 3, 5 and 7 are numbers with special meaning in Japanese culture so that’s probably how the form arose.
  • To share what you’ve written, add a pingback or paste your link in the comments and tag your post “haibun road”. For nonwordpress folks, paste your link. My blog is moderated due to spam. Your comment/link should show up within 24 hours. I check regularly for pingbacks/ comments but I have a real life too so be patient please.

Each week I do a round up of everyone’s contributions Monday mornings. I post the next challenge on late Mondaynight (Arizona time between 11pm and midnight. I am not a morning person. ). The writing prompt is for the week, so that you’ll have a week to come up with a haibun.

I’ve been haikus/senryus for a couple of years and am branching out into haibun. So I thought why write haibun alone? It’s always more fun to share a journey with companions.I hope you will join me and look forward to your writing.


Basho’s Journey: The Literary Prose of Matsuo Basho

What is a haibun?

A haibun is a short prose paragraph followed by a haiku/senryu. The paragraph can be one’s thoughts, a travel journal, a diary entry, an essay or even a short story. Basho, a monk in Japan, wrote the first haibun in 1690. I liken it to impressionism: it’s something you capture in the moment through writing, fleeting as the moment changes, imperfect but authentic.

I’m inviting you to write a short paragraph and a haiku inspired by the prompt. The inspiration may be a word, a phrase, a sentence or the whole paragraph from the prompt. One person might take “time to sweep the cobwebs from my broken house” and write about an abandoned building.
Early Modern Japanese Literature: An Anthology, 1600-1900 (Abridged Edition)

Classical Japanese Prose: An Anthology
Another person may be inspired by the haiku. Another person may take the word “rambling” to describe their most recent travel. Go with whatever inspires you.

In case you are interested this is a audio reading from Basho’s “Narrow Road to the North” in Japanese by kaseumin (first audio of 5; Chapters 1 thru 9) made available through the Gutenberg Project

References:

Matsuo Bashô: Oku no Hosomichi (Nine Translations of the Opening Paragraph), Bureau of Public Secrets

Narrow Road to the Interior: And Other Writings (Shambhala Classics) (translator Sam Hamill)

Basho’s Journey: The Literary Prose of Matsuo Basho (translator David Landis Barnhill )

Basho’s Haiku: Selected Poems of Matsuo Basho(translator David Landis Barnhill )

Classical Japanese Prose: An Anthology (translator: Helen Craig McCullough)

The Narrow Road to the Deep North and Other Travel Sketches (translator Nobuyuki Yuasa)

Basho’s Narrow Road: Spring and Autumn Passages (translator: Hiroaki Sato)

HISTORY OF HAIKU. Volume One. From the Beginnings Up to Issa (translator: R. H. Blyth)

Basho’s Haiku : Literal Translations for Those who wish to Read the Original Japanese Text, with Grammatical Analysis and Explanatory Notes (translator: Oseko Toshiharu)

Basho: The Complete Haiku (translator: Jane Reichhold)

Links are to the books on Amazon (I’m an affiliate but it’s also easy to find book titles there).

You can use the Amazon search bar to do any search at Amazon as I did with “Matsuo Basho”.

Amazon disclosure: “We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.” Your price remains the same.